by Lidia Paulinska | Mar 5, 2017
Fathom events, March – The Metropolitan Opera’s magnificent production of Antonin Dvorák’s 1901 opera Rusalka was enjoyed by audiences world-wide on Saturday, February 25, 2017. It was viewed in hundreds of cinemas throughout the world through “The Met: Live in HD” series, an invaluable cultural treasure presented by Fathom Events.
The New York Times had hailed this stunning production as “a shockingly dark, sexy drama,” an unlikely description of an opera, especially one based upon “The Little Mermaid” fairy tale. The Times goes on to observe, “the mysterious look of the production, fantastical and ominous, combines with sensual singing by a handsome cast to create a romantic energy rare at the Met — or at any opera house.”
The visually rich production, the work of Mary Zimmerman, is indeed fantastical, with shimmering sea-green flowing costumes on the water nymphs against a background of a huge harvest moon projection and the huge Met stage dominated by an ominous giant snake-like Monterey pine which seems to quietly terrorize like a monstrous atrophied boa constrictor.
The superb cast is lead by the Lovely Latvian soprano Kristine Opolais who offers us a vocally lustrous and beautifully rendered performance as Rusalka, the water nymph who longs to become human and makes the mistake of falling in love with a handsome human prince, played by the compelling tenor Brandon Jovanovich. The vocally and physically imposing American bass-baritone Eric Owen powerfully commands the role of Rusalka’s father, the Water Gnome. The wonderful cast is completed by the performance of Jamie Barton as the evil witch Ježibaba who interprets the villainous role to perfection. There’s a theatrical tradition that occasionally calls for a villain to display hints of humor and irony, and Mr Barton doesn’t disappoint.
Conducting the Met orchestra was the renowned maestro Sir Mark Elder who interpreted Dvorák’s Romantic score with much spirit and passion.
Rusalka at the Met was delightful and a memorable operatic experience not to be missed.
by Lidia Paulinska | Feb 22, 2017
Bright Blue Innovation’s coverage from the CES 2017 tradeshow on for Television and Smart Home products was Broadcast on Comcast & Ustream in February 2017 by its media partner Roadway Media.
Bright Blue Innovation Host Lidia Paulinska shows highlights from the CES 2017 focusing on the smart home technology. Products shown are from the areas of Smart Living, Security, Appliances, and TV& Audio. Companies featured include: LG, Lenovo, Singled, CoWay, Hisense, Polaroid, Casio, Voxx, and Klipsch.
The episode can be found at Roadway.Media – Bright Blue Innovation S2 Ep2
by Lidia Paulinska | Feb 18, 2017
Fathom events – Singin’ In The Rain is an iconic 1952 Metro-Goldwin-Mayer musical comedy film directed and choreographed by Gene Kelly and Stanley Donen. It stars Kelly, Donald O’Connor, and a 19-year- old Debbie Reynolds. The film offers a light-hearted view of Hollywood in the late 1920’s. Kelly, O’Connor, and Reynolds portray song and dance performers of the silent screen era who are caught up in the often hilarious transition to “talkies.”
“Rain” is chock-full of joyful music, vibrant dance, and side-splitting comedy and remains one of America’s most popular musical comedies. It was accorded only modest praise when it premiered 27 March 1952 at Radio City Music Hall in New York, but has since gone on to attain legendary status. Most critics consider it to be the best movie musical ever made, and it ranks as the fifth-greatest American motion picture of all time.
Kelly, O’Connor and Reynolds ably handle the often extraordinary demands of the music and dance, while Jean Hagen hilariously portrays a talentless, air-headed silent film star named “Lina Lamont” whose horrible voice and lack of talent make her unsuitable for the transition to “talkies.” Roger Ebert, who believed there was no movie musical more fun than Singing’ In The Rain, once described Lina Lamont’s voice “like fingernails on a blackboard.” Ms Hagen was nominated for an Academy Award for Best Supporting Actress for her hysterical portrayal of this fading silent screen star.
Singin’ In The Rain is a light-hearted, happy movie about making movies. This was Debbie Reynold’s first major role in which she had to keep up with the two veteran hoofers, Kelly and O’Connor, and she succeeded admirably. Kelly and O’Connor had dancing styles unique for that period with moves more robust and acrobatic than, for example, the Grandmaster, Fred Astaire, whom the great premiere danseur Mikhail Baryshnikov once praised as being the best dancer in the world, himself ranking among the very best.
In celebration of the films 65th Anniversary, Fathom Events has offered we fortunate movie-goers, a rare opportunity to enjoy this treasure on The Big Screen. As an enduring classic, Singing’ In The Rain conveys as much joy and pure fun today as it no doubt did for audiences 65 years ago. Kelly, O’Connor, and (most recently) Reynolds are no longer with us, but their legacy of joy and happiness lives in our hearts.
by Lidia Paulinska | Feb 5, 2017
Bright Blue Innovatio’s coverage from the CES 2017 tradeshow on for Lifestyle products &Mobile Accessories was Broadcast on Comcast & Ustream in February 2017 by its media partner Roadway Media.
The Bright Blue Innovation Host Lidia Paulinska shows highlights from the CES 2017 focusing on the connected lifestyle. Products shown are from the areas of BabyTech, Mobile Electronics, Wearables, and Mobile Accessories. Companies featured include: Moshi, Zagg, SanDisk, BGZ, STM, PI Labs, Casio, Polaroid, and MyCharge.
The episode is available on-line at Roadway.Media as Bright Blue Innovation S2 Ep 1
by Lidia Paulinska | Feb 5, 2017
Fathom events, January – The world-famous Bolshoi Ballet presented the equally noteworthy Sleeping Beauty ballet to cinema audiences around the world for a one-day-only viewing on Sunday, 22 January 2017. Originally choreographed by the inimitable French Ballet Master Marius Petipa in 1890. Petipa (1818-1910) is recognized as the most influential choreographer in ballet history. This current Bolshoi offering is based on the 2011 version by Yuri Grigorovich.
The dancers, of course, were exquisite. Yulia Stepanova played the Lilac Fairy with a gentle authority. Semyon Chudin danced Prince Désiré with impeccable classical lines but seemed to lack the requisite emotional depth necessary to the role. Olga Smirnova danced the role of Princess Aurora. The technical aspect of her performance was flawless, being both elegant and precise, as one would expect. Like Semyon Chudin, however, Ms Smirnova seemed to lack a deep connection to the role which prevented her from effectively communicating its nuanced emotions beyond the footlights.
The Bolshoi’s soloists and the corps de ballet danced with their trademark enthusiasm and precision. Especially charming were the eight little “evergreen trees,” amusingly portrayed by students from the Moscow State Academy of Choreography.
Maestro Pavel Clinichev conducted and the Bolshoi Theatre Orchestra played Tchaikovsky’s wonderful score with great sensitivity and grandeur.
The Bolshoi Ballet is always a delight, and in spite of several challenges, this production was no exception.
